Frederik IV’s Cabinet (room 11)

This room was used by Frederik IV’s sister Princess Sophie Hedevig as an audience chamber. Unfortunately, none of the original furnishings or decorations have been preserved. Instead, the room is decorated with former royal furnishings from Frederiksberg Palace and the Prince’s Mansion.

From royal residence to chronological collection

During the mid-19th century, Rosenborg Castle was converted into a chronological collection: a museum with exhibits that was open to the general public. This happened in part as a result of the end of the absolute monarchy in Denmark. When the absolute monarchy was abolished, Frederiksberg Palace and the Prince’s Mansion – which was originally built as a residence for Crown Prince Frederik (V) and Crown Princess Louise – became property of the state. At this time, Rosenborg Castle also changed hands, from property of the king to property of the state.

When Rosenborg Castle was renovated to fill its new role as museum, many of the formerly royal interiors from Frederiksberg Palace and the Prince’s Mansion were relocated to Rosenborg. These objects and furnishings were displayed as museum pieces and integrated as decorations on the first floor here at Rosenborg Castle. For example, the floor in Frederik IV’s Chamber was moved here from the Prince’s Mansion, while the ceiling painting comes from Frederiksberg Palace.

In this room, most of the exhibits date from the decades around 1700.

Objects in the room

If you are at the museum, you can admire the fascinating objects in the room and read more about them below. 

The descriptions are brief and generally do not include images. They are intended as an added resource if you would like more detailed information about an item, such as who made it, its origin and its meaning. 

  • 1101
    Six chairs of mahogany with carved acanthus backs, seats, later, with mounted gilded leather. Acquired by Christian V for Frederiksborg Castle in the 1690s.
  • 1102
    Cabinet made by Claus Harder in 1706. The lids and drawers are decorated with love scenes painted by Hendrick Krock.
  • 1103
    Two flower pots veneered with mother-of-pearl and mounted with cameos and intaglios, gems and glass. The pots made in Gujarat in India c. 1640, the mounting added in Copenhagen c. 1750.
  • 1104
    Altar-shaped clock (similar to no. 1040) with movement and quarter-stroke and celestial globe with month- and date indicators. Case of wood with tortoiseshell, ivory, coral, semi-precious stones and silver, made by J.A. Thelott and others. Drawer containing a writing set. Made in Augsburg c.1715.
  • 1105
    "Triad" with table, guéridons and mirror of boxwood, inlaid with Chinese figures of bone and exotic wood. The motifs were taken from engravings in Athanasius Kircher’s and Arnoldus Montanus’ descriptions of China and Japan from 1667-69. Originally, the set also included a cabinet. It was bought from Conrad Geisler in Altona in 1712.
  • 1107
    Two candlesticks of silver plate with varicoloured and clear cut-glass pendants and pearls. Bought in Italy by Frederik IV in 1709.
  • 1109
    Frederik IV as an old man, painted by Balthasar Denner.
  • 1110
    Princess Sophie Hedevig (1677-1735), sister of Frederik IV and founder of Vemmetofte Convent. Half length, by unknown artist.
  • 1111
    Ivory reliefs by Magnus Berg.
  • 1112
    Dressing mirror with laque brillante work, decorated with glass gems and with miniatures of Frederik IV, Queen Anna Sophie and her relatives. Attributed to Christian van Bracht and Casrten Tønder c. 1720.
  • 1113
    Small painting representing Christ escorting Anna Sophie to Heaven, where Frederik IV awaits her.
  • 1114
    Hunting scene made of papier maché by Christian van Bracht.
  • 1115
    Queen Anna Sophie, painted by J.S. du Wahl?